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HEAVY EYES

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theriverbeyond:

i must not get takeout. takeout is the wallet-killer. takeout is the little-death that brings total obliteration. i will face the kitchen, fridge, and pantry. i will make choices about what to cook and then execute them. when hunger is gone there will be nothing. only i will remain.

lesbiankendall:

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SUCCESSION (2018-2023)

jessaerys:

could talk about the grand dramaturgy of succession dialogue forever. a great majority of the most poignant lines are half incoherent, gramatically fucked, all just bits and pieces of images put into words poorly, its such a shakespeare move and such a bold and confident use of language like it really does floor me. we think these grand horror things, at times like these, these ice shelves are gonna come at us in the night and take our heads off. its not true. he was an old bastard. and he loved you

bloomsbury:

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“i would like to thank tom for also being my rock, you’re a good guy wambsgans.”

metamorphesque:

“I was always ashamed to take. So I gave. It was not a virtue. It was a disguise.”

Anaïs Nin, The Diary Of Anais Nin, Vol. 4: 1944-1947

derangedrhythms:

To guide someone through the halls of hell is not the same as love.ALT

Gregory Orr, from ‘Orpheus & Eurydice: A Lyric Sequence’

buckys:

Aftersun (2022)
dir. Charlotte Wells

rvmanroy:

Can I suggest a hug?
SUCCESSION | 1.09 “Pre-Nuptial”

blairwaldorffs:

I can’t marry someone who doesn’t stand up for me, not even to his own mother. And when I tell him it’s over, I’ll need to get away, to clear my head.

Gossip Girl (2007 - 2012)
5.01 Yes, Then Zero

anderwater:

THE BEAR 1.04

untiloblivions:

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Sally Rooney, Conversations With Friends

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